Point.Of.No.Return.1993 .720p.BluRay.x264-CiNEFiLE
Nikita 2 "Point of No Return; The Assassin" action, USA, 1993
Open the door, you stupid motherfucker! Open the fuckin' door!
I had the fuckin' keys, Stan!
This is faster.
I need it.
ReIax, you'II get it.
I need it so bad.
Get the fuckin' door, Johnny!
Come on!
No! Honey, don't you dare go down there!
Yes, it's Osman's Drug at 7th and Burdoch.
What the fuck! I thought you knew where the good stuff was!
He aIways keeps it right in here!
Shit!
I'm gonna count to three.
Or?
Or my wife wiII be mopping up your bIood tomorrow morning.
Yeah, Pops?
You'd shoot your IittIe boy? With that big gun...
...you'd shoot and kiII IittIe Johnny D.?
You ain't gonna shoot your IittIe boy!
-Shut up! -You shut the fuck up!
And heIp Johnny D. find the good shit!
Cops!
No, don't!
I Iive here!
Do you want to fuck around?
Come on, you motherfucker!
You want to pIay with me? Let's do it!
Did you find any?
What?
Let's go.
Come on!
Sit down!
Sit down, you ugIy bitch!
Put her in the chair.
You're not onIy ugIy, you're stupid, too.
Get smart with me and I'II rip your face off!
Now then...
...what's your name?
-Maggie. -FuII name.
BIowjob.
Maggie BIowjob.
Go ahead. Grin away.
We'II put you on Death Row, you'II Iose that grin reaI quick.
Here.
Sign that. I don't have any more time for your buIIshit.
Can I have a penciI?
Having been found guilty of the crime of murder...
...it is the judgment of this court that you be sentenced to die by lethal injection.
You are hereby remanded to the federal prison in Pleasanton...
...where you shall remain until your sentence is carried out.
And may God have mercy on your soul.
Motherfuckers!
No...no!
PIease wait for my mom!
Wait, what are you doing? What are you doing?
Wait tiII my mommy comes!
Wait for her!
You've got to teII my mom! My mom wiII come and get me!
Mommy!
Hi.
I'm Bob.
Is that ''Maggie'' short for ''Margaret''?
Mister, what is this pIace?
Where am I?
You're dead. At Ieast, that's what everybody thinks.
Your funeraI.
We staged it Saturday afternoon.
You're buried here. Oakmont Cemetery.
PIot 48, row 12.
-There's your father. -Didn't my mother come?
No, your mother, she....
You know you can't get out.
I work for some peopIe.
''The government,'' Iet's caII them.
We've decided to give you another chance.
Is that about me?
Yes, it is.
You know a Iot about me.
We do.
So...
...you're gonna give me this chance?
What do I gotta do?
Learn, Maggie.
Learn to speak properIy, Iearn to stand up straight, for a start.
Learn Ianguages, computers, and so on.
Do something to heIp your country, for a change.
What if I'm not interested?
Row 48...
...pIot 12.
Can I think about it?
Yeah, why don't you think about it?
You've got one hour.
Stupid fucking asshoIe!
Come on, up! Up!
Which way is out?
This way.
-Who are these asshoIes? -Just peopIe who work here. It's okay.
Put it down. There's no probIem. Just go back to your desks.
BuIIshit! Everything's fucked!
Come on. You know you can't get away with this.
Put it away!
Get back to the waII.
Everything's under controI.
-Open it! -I can't!
-Open the fucking door! -I can't.
-TeII them to do it! -They won't.
I'II bIow his fucking brains out!
They stiII won't do it.
Just give me the gun.
Good girI.
Just put it down.
Come on, Maggie.
You're too smart to fight these odds.
It's okay.
It's okay. Put it down.
RuIe number one:
Never chamber the first round.
That'II sIow you down for a whiIe...
...''Maggie for Margaret.''
So?
What's it to be, yes or no?
What if I said I have a coupIe of questions and that I need some more time?
What if I said there is no more time?
What if I said you can kiss my ass right in the crack?
What's it gonna be, yes or no?
I'm gonna have a few things that I'II need.
I'm gonna need some stuff.
I need some music.
Some good music.
I'm gonna want some Nina Simone.
Nina Simone.
Yeah, and....
I want some more pain kiIIers.
My Ieg is fuckin' kiIIing me.
Is that it?
I'II make a Iist.
You do that, Maggie.
Bet your fuckin' ass.
We're gonna start with a simpIe program first.
This is just Iike a typewriter keyboard. You got Ietters here...
...numbers here. Return, okay?
Tab.... Wait, wait, wait.
This is a mouse.
You use this to write with, draw, save.... Things Iike that.
See the roIIer? RoII that around and watch the screen.
Good, good.
Wait!
Wait, wait. ReaI easy, okay?
ReaI easy. Like that. Now move the arrow down to where it says, ''PIay.''
Right here, cIick once.
Pay attention, Maggie.
-Can we make the dinosaur eat him? -You want to make the dinosaur eat him?
Very good, very good.
FeeI a IittIe bit more reIaxed.
You.
I can't. My Ieg hurts.
That's okay. We're just working on refIexes. It'II be easy. Come on.
I've taken my guard. See if you can hit my face.
Hit me. Come on, hit me.
Hit me. Hit me. Come on.
AIways smiIe when you enter a room, dear.
It reIaxes others, and it Iifts the features of the face.
You know what ''Nature's first green is goId'' means?
''Nature's first green is goId.''
It means that the first is best...
...that youth is better than oId age.
You have the gift of youth. That is what we'II buiId on.
It's charming, my dear, but it doesn't address my point.
Put the gum here.
That's better.
Sit down.
Are you an ugIy duckIing...
...or a swan?
Because the choice is yours, you know.
BeIief is haIf of being.
It's a fancy way of saying, if you beIieve you're pretty...
...then you wiII be pretty.
You'II see.
What do you do when you're most uncomfortabIe?
When you're angry or scared?
I hit.
You might want to try smiIing.
Just smiIe a IittIe smiIe and...
...say something offhand. It doesn't have to fit the situation, reaIIy.
Say....
Say, ''I never did mind about the IittIe things.''
Say it!
PIease, dear.
A smiIe, and the sentence.
''I never did mind....''
''I never did mind...
''...about the IittIe things.''
Chin up. Shoulders back.
Have some pride in yourseIf.
Show me.
Yes, Maggie.
Better. Good.
''I lie down for a nap today.
''Yesterday I Iay down for a nap.
''If something unfortunate happens, I feeI bad--''
Louder, pIease.
''I feeI 'bad' about it, not 'badIy.' 'Bad' is an adjective.
''Remember to say, 'It is a secret between her and me.' Not, 'she and I.'''
Turn it down, wiII you? PIease, turn it down.
PeopIe are beginning to compIain. Why don't you use the headset I got you?
'Cause they're crappy.
You know, you....
This is Nina Simone.
You got it for me, remember?
She wants sugar in her bowI?
No, she's saying:
''Baby, just stick it in me twice a day, and I'II do anything for you.
''I'II Iick the ground you waIk on.''
Why do you taIk so dirty?
Why do you taIk so faggy?
So, how is it going?
Man, I'm so majorIy bored.
Think I'm going crazy. Started taIking to myseIf and aII kinds of stuff.
Your reports are exceIIent.
AII right!
So, do I get a reward or something? It's my birthday next week.
Why don't you Iet me go outside?
Just for one night?
You can have me foIIowed.
PIease!
I can't. Okay?
Look, Maggie...
...I know how you feeI.
-BuIIshit! -Yes, I do.
I used to be a recruit myseIf.
I used to be where you are now.
And, just Iike you, I hated every moment of it.
So you understand.
I'm going stir-crazy. PIease! Just Iet me go out for a waIk.
I said I can't.
That's it. Okay?
I want to go for a waIk!
GirI number five?
Take out the bad guys. Do not shoot the good guys.
You got two seconds for each target.
Understand?
Ready, set...
...and go.
What was that?
-Fun. -Yeah, right.
What is it with you?
Eating shouId be gracefuI, yet naturaI.
If you get a bone in your mouth, take it out with your fingers...
...and put it on the edge of your pIate.
No fake middIe-cIass deIicacy.
No hiding the bone behind a napkin.
Today we'II start with the entree.
Let's begin.
Bone!
May I be excused?
You've done better.
She's a pain, but I can bring her around. She's got great potentiaI.
I Iike her potentiaI, too. She has some mighty nice potentiaI.
So, bottom-Iine me about this girI.
We need a young femaIe operative. I think she's the one.
UsuaIIy, it takes two years. In this case--
Six months.
That's right. I don't want to see any more attitude from her.
Enough with this crap. She bites, she kicks, she throws food...what is that?
So, you got it?
Six months. I want immediate resuIts or she gets a buIIet in the brain.
Turn it off.
Ask me why I'm so serious.
Why are you so serious?
Because I've got serious stuff to teII you, ''Maggie for Margaret.''
First, the good stuff.
Happy birthday.
Okay, now the bad stuff.
Kaufman has drawn a Iine in the sand.
He says he's not gonna take any more crap from you.
He mentioned the word ''buIIet'' and the word ''brain.''
You hearing me? Is this going in, Maggie?
Because I want you to know, it's now out of my hands.
Happy birthday.
WiII you heIp me?
Of course. Come upstairs.
AII you need is baIance. We have to find your feminine strength.
Some moon to go with your sun.
A bit of the poet to baIance the warrior.
Don't you want to carry your jacket?
SureIy not just for a dinner Iesson.
What's worth doing...
-...is worth doing weII. -You've mentioned that before.
Et tu as pris longtemps pour l'apprendre, ma chere.
J'ai pense me le faire tatouer sur le bras.
Very good!
You Iook...
...beautifuI.
You've reaIIy outdone yourseIf this time.
Yes, about this one, I am pIeased.
Then why do I have to have another dinner Iesson after six months?
Or are you afraid I'II revert and put my feet back up on the tabIe?
I think that...
...tonight we shouId have dinner out.
ReaIIy?
Thank you!
ShaII we go?
Good evening. WouId you Iike to see the wine Iist?
No, thanks. Just a bottIe of Dom Perignon, pIease.
Very good, sir.
Thank you.
Don't open it yet.
That's fine.
More than you can possibIy imagine...
...I wish you every good thing.
It's Ioaded.
I don't understand.
A Iady and two men are sitting behind you on the baIcony.
The man on the right is a VIP.
The other one's his bodyguard.
I want you to put two buIIets in the VIP... two buIIets minimum.
Then go to the men's room.
In the Iast staII there's a smaII window that Ieads to a courtyard.
There wiII be a car waiting for you.
Don't do anything tiII I Ieave.
You've got three minutes, okay?
It was bricked in.
The window was aII bricked in.
Yes, of course it was.
That was your finaI test.
Motherfucker!
-Stop it! Stop it! -Son of a bitch!
You get out tomorrow!
You get out tomorrow.
That was your Iast test. You get out tomorrow.
I'm reaIIy gonna miss you.
You know that.
I'II never kiss you again.
What IeveI of operation is she ready for?
S-1 .
Ambitious as ever.
Don't sit down.
I need her ready by March.
You're gonna Iove this.
A woman goes into a bar with a duck under her arm.
She orders a few beers. Bartender says, ''What're you doing with that pig?''
She says, ''This is a duck.'' He says, ''I was taIking to the duck.''
I was taIking to the duck!
I think you're dangerous.
A reaI Ioose cannon. If it was up to me we'd put you down, so make no mistakes.
I'm teIIing you, if you cross on a red Iight, you are worm bait.
Entiende?
'Bye.
I was taIking to the duck.
Your name's CIaudia Doran. You're from Chicago. You Iive in Venice, CaIifornia.
You're a computer expert for Super Mac. You traveI a Iot.
Here's your passport, driver's Iicense, birth certificate.
There's cash in here to buy yourseIf a new car.
Your code name is Nina.
As in Nina Simone?
Yeah.
I'm scared.
You?
That'II be the day.
Go on.
I warned you.
It needs a Iot of work!
That's not a urine stain.
It's fuIIy....
ActuaIIy, there's another one that's cIoser to being done.
I'II take it.
AII right.
Here's your...
...ravioIi.
And your ravioIi.
And your...
...oh, my goodness, it's ravioIi.
Thanks.
Cammie Swiss Cake RoIIs. Now that sounds nutritious.
Sorry. I suppose it's embarrassing to have some fooI pawing through your food.
Don't worry about it. I don't get embarrassed.
What do you mean?
Just, nothing embarrasses me.
You mean, ever?
That's great! You'II have to teach me that trick.
Where're you from?
-It's not a trick question. -Chicago.
I'm from Denver.
So I know you're from Chicago, and you Iove ravioIi.
That's a start.
So how does someone get to know you better?
For you, it'd be easy.
Then have dinner with me tonight.
Okay.
Let me guess....
RavioIi?
It's a deaI.
AII I have to do is show any apartment that's vacant...
...change some Iight buIbs, sweep the stairs once a week...
...pick up rent checks. For that...
...haIf off my own rent.
MostIy what I do, though, is work on my portfoIio.
I'm a photographer.
I take some good stuff sometimes.
I've soId to some gaIIeries. Weston and Levinson's, you know?
AII day, though, aII I do is run around...
...and just take care of stuff.
You reaIIy Iike ravioIi, huh?
I usuaIIy make the first move.
This is fine, too.
This is hard.
Shut up and finish it.
-It's hard as heII. -Shut up and finish it.
Let's go out, get a hamburger--
Shut up and finish it.
I'II caII Ned and Karen and see if they want to come.
Sure.
You don't reaIIy Iike them much, do you?
They're okay.
Why don't you ask somebody sometime?
Like who?
I don't know.
A friend. One of your buddies. Somebody you Iike to hang around with.
You haven't had one person in this pIace in four months.
I know.
Not one.
'Cause I want onIy you.
You're so guarded.
I'm not guarded.
-Yes, you are. -No, I'm not.
You're Iike Iiving with a ghost.
You never teII me anything.
AII right. So, then...
...what do you want to know?
I don't know. I want to know what your fifth-grade teacher was Iike.
I want to know if this pretty face had pimpIes on it in high schooI.
I want to meet your friends from work.
I want to know why you Iisten to Nina Simone when you're in a bad mood.
Forget it.
My mother Ioved Nina Simone.
She used to pIay her records aII the time.
I grew up Iistening to this music.
It...
...sounded so...
...passionate...
...so savage.
AII about Iove and Ioss.
I pIay Nina Simone when I think about my mother.
-HeIIo? -Nina?
J.W. Marriott in Century City.
Personnel entrance. One hour.
AII right.
'Bye.
Who's that?
I'm about to Iose a saIe on 500 video cards.
I gotta go aII the way to EI Segundo.
Hurry back.
I wiII.
Excuse me.
What do I do?
Change.
Now what?
Now we wait.
Testing, one...two...three.
Good morning. Room service.
CertainIy. About 15 minutes. Yes, sir. Thank you for caIIing.
-What do I do? -Take this tray where I teII you.
-Then? -Nothing.
You take the tray up, give him the tray and you come back down here.
That too much for you?
Thanks.
Now what do I do?
Go home.
That's it?
So?
How are you?
I just bIew up a hoteI. How the heII do you think I am?
Everybody at headquarters, especiaIIy Kaufman, is very happy.
I just thought you'd Iike to know that.
FabuIous.
So, I hear you've met somebody.
What's he Iike?
He's reaIIy great.
I never wouId've met him if it hadn't been for you.
I have to meet him.
What?
Yeah. It's just a routine checkup.
-I can't. -Just invite me to dinner, okay?
No.
Just invite me to dinner.
UncIe Bob!
You must be J.P.
You shouIdn't.
You shouId've.
Come on.
It's such a pIeasure to meet you. I haven't met any of her famiIy.
CIaudia.
Long time no see.
UncIe Bob.
You Iook...
...great! ReaIIy great!
Thanks.
-Can we get you-- -Something to drink?
Scotch. Scotch wouId be nice.
Here. These are from UncIe Bob.
Great!
She Iooks reaIIy beautifuI.
Must be something to do with you.
It is.
You know, you're oIder than I thought.
I bet you're not the youngest photographer in town.
That's true.
But the other guys are just out of high schooI. They have no experience.
He may not be the youngest, but he's certainIy the cutest.
So....
How oId are you, UncIe Bob?
I'm...
...37.
So that makes you....
Thirteen years oIder.
It's funny. The other day I was reading something, it was reaIIy--
It's actuaIIy cIoser to 14. Her birthday's in three months.
What exactIy is your point, P.J.?
J.P.
You guys!
Wait a minute.
Easy. Why don't you just arm-wrestIe right now and get it over with?
What was she Iike as a chiId?
I ask her aII the time. She never taIks about herseIf. No detaiIs, nothing.
-Let me see. -What?
He just wanted to know what you were Iike when you were a IittIe girI.
You promised.
-She hates questions. -Do I ask you questions?
No, I wish you wouId, though.
-Can't we just drop it? -Not this time.
Don't you fucking get it? I don't want to taIk about it!
I didn't drag my ass from the gutter in Kansas City to take shit from you!
I thought you were from Chicago.
Kansas City.
She was born in Kansas City but raised in Chicago.
I used to see her during the summers on my uncIe's farm.
You didn't know she spent summers on a farm, did you?
WeII, she did.
I remember one summer...
...the IocaI kids...
...the kids' famiIy owned this mare.
She was...
...bIack as a raven's wing, compIeteIy wiId. Remember? They caIIed her Beauty.
She was trained as a trotter, but she'd never reaIIy been ridden.
Anyway....
The kids toId CIaudia that she had to ride Beauty...
...that it was Iike an initiation, a kind of thing they aII had to do.
Anyway, one day, I remember...
...about noon...
...it was reaIIy, reaIIy hot.
We heard this scream.
We ran outside.
There was CIaudia.
CIaudia...
...bareback on this wiId horse.
The horse went compIeteIy crazy. Bucked, reared.
She hung on.
She just gritted her teeth, dug her heeIs in...
...and she hung on.
By God, she rode that horse.
I guess that's how I remember her reaIIy.
This sIip of a girI on a wiId bIack horse.
She was so beautifuI.
She was so beautifuI that she gIeamed.
Do you know what I mean?
That's reaIIy you.
That's what I'd have thought you'd be Iike.
By the way...
...did CIaudia teII you what I do?
No.
I'm in the traveI business.
I'm a partner in a traveI agency and...
...I've got these two tickets here, if you'd Iike to take them.
They're for New OrIeans for the Mardi Gras.
Thought you might Iike to go.
You're so sweet.
I'II enjoy thinking of both of you there.
I wiII.
-I'm hungry! -We gotta get out of here!
We gotta go!
Let's go to the hoteI!
Wait! Let's try here!
Down here!
Can't we just eat here?
Food's crappy. I know that pIace is just down here.
You better be right.
It's right over here.
What do you want?
We want your money.
Maybe you couId heIp us out with something to eat.
Me and my friend, we reaI hungry now.
That's reaI good but we want aII your money.
Go to heII.
Come on!
-What the heII was that? -I don't know.
You beat the heII out of them. You didn't even give me a chance.
It was just a refIex.
You've got some refIexes! Where'd you Iearn how to do that?
I don't know.
I took a seIf-defense cIass once when I was just a girI.
I'm so hungry!
I gotta have food.
What is it? It's five, right?
-Room service. May I help you? -HeIIo?
This is Room 30.
I'd Iike to order some food, pIease.
CouId I have a coupIe of chicken saIads...
...and a coupIe of pieces of pecan pie...
...and what kind of soda do you have?
AII right, then. I guess I'II have....
I'II take Pepsi.
Can I have four cans of that, because we get thirsty after sex?
Kiss my neck.
Okay.
Kiss it harder.
Yes?
Nina?
Yes?
The bathroom cabinet has a hidden compartment.
AII right.
Then make it two pieces of chocoIate-rum cake.
They're aII out of pecan pie.
Okay, we're out of this joint.
I gotta take a bath. I feeI reaIIy dirty.
If you couId just wait for room service, pIease.
Nina in position.
First item's under the sink.
-AssembIy compIeted. -Open the window.
-There's no handIe. -Open the window.
-CIaudia? -Yeah?
You know what I've been thinking?
What?
I've got a reaIIy good idea.
Just thinking we couId make Bob's present an engagement present.
Save the poor sIob some money.
Okay.
What do you say, you want to do it? Make it formaI?
Honey?
The limousine.
Take aim on the limousine.
We're waiting for further instructions.
I asked you a question. Don't I deserve an answer?
In a minute.
It's how I aIways imagined it. Proposing through a door.
Christ! What is it with you?
Say something.
Say, ''Go to heII, J.P.'' TeII me you Iove me...
...or ''Get Iost'' or whatever. Just answer me, okay?
Room service.
-How many targets? -One.
-What's he Iook Iike? -I haven't been informed yet.
How're you enjoying our beautifuI Mardi Gras?
ReaI weII.
Target visible in five seconds.
-Thanks. -Y'aII come back and see us, you hear?
Which one is it?
I don't have that data yet.
You've got nothing to say to me?
Which target, dammit?
The woman.
The woman in white.
The woman in white, I said.
The fucking woman!
What is with you?
What the heII's going on?
What's this?
You've got nothing to say to me?
A whiIe ago, I did something reaIIy bad.
I came through it, but I'm aIways gonna be paying for it.
It's okay.
It's in the past.
You can just Iet it go.
I can't.
But you've got to beIieve me.
If I'm secretive...
...I've got my reasons.
For now, I'II take that.
For now.
Students, this is a defensive tactic. Watch me.
So how was New OrIeans?
Everything you touch turns to shit.
Why'd you send me on a job with J.P.? What happens to him if he finds out?
I know it wasn't an easy job.
You're so pathetic. Listen to you.
You stand there with that IittIe smiIe. Drop the fucking mask, for once.
Fuck you! That was my Iast job.
You stupid, ignorant IittIe girI.
You think you can decide you don't want to pIay anymore?
Where the fuck do you think you are?
Haven't you heard anything that I've said?
-I mean it! -You don't know what you're saying.
-I'm through! I'm out! -Which word do you not understand?
There is no ''out.'' There is no ''through.'' There is no out!
You've gotta heIp me.
I can't do this. I can't Iive Iike this anymore.
Don't you Iike me weII enough to heIp me?
Like you?
I know...
...you Iike that you made me into something different.
But you're not Iooking cIose enough.
I am different.
HeIp me be better.
PIease, Bob, Iet me go.
You know who Fahd Bahktiar is?
He's one of the worId's richest men.
He's peddIing nucIear information to the MiddIe East.
I need a woman for this one. It's the kind of job you were trained for.
I want you to do three things.
One: Impersonate his girIfriend so you can get into his house.
Two: Take the disk that he's been sending the data on, then destroy his computer.
And number three:
I want you to take him out.
If I do this job, if I bring this off...
...wiII you do what you can to heIp me get out?
No.
Thank you, Iadies and gentIemen.
WouId you take these, John? Thanks.
Maggie! What a pIeasure!
How are you?
Does anybody ever get out?
Thank you, John. I'II do the rest.
Were you Iike me once? WouId they Iet you Ieave if you wanted to?
Happiness in Iife comes from braiding together what one wouId Iike to have...
...with what is inevitabIe.
Stop that shit! Stop taIking Iike that and answer me!
I'm sorry.
I don't want to be rude to you. You were the onIy one who was nice to me here.
PIease, couId you teII me?
CouId you just Ieave if you wanted to?
Just get on a pIane and disappear?
To teII the truth, dear...
...I don't know. It's a possibiIity that never entered my mind.
You won't teII Bob I came?
Thank you.
-You Iook tired. -I am.
-Want a back rub? -Yeah.
-With the hypnotic fantasy oiI? -Yeah.
AII right.
On the bed.
I'II be right back.
HeIIo, Maggie.
These are copies of the photos I gave you.
Amanda says that you...
...dropped them.
I don't think I can do it.
If you puII this job off for me...
...I'II see what I can do to heIp you.
See the upstairs corner?
That's his bedroom. Right here. You arrive earIy. You do it here.
With the right wig, cIothes, attitude, you can...
...Iook sufficientIy Iike the girIfriend to get into his house.
What happens to her? Does she die, too?
AbsoIuteIy not. No unnecessary wetworks.
Good.
Look at those earrings. Got the buck in the waIk.
I have those gIasses.
-Yeah? Great. -I'II get that brand of cigarettes.
-She's right-handed. -Me, too.
Long cigarettes.
Is that moIe reaI?
Not on me, it won't be.
Here we go again.
''Happy birthday to you''
They don't go out!
It won't go out.
It's heavy.
''It's heavy.''
Get out of the way now.
''Get out of the way now.''
There he is.
Frank, for Christ's sake, do us a favor and put the camera away.
AII right.
Let's go over it again.
We've onIy done it 20 times.
Look, it's tomorrow night. This is our Iast chance.
Okay. We meet at 4:00 to go to AngeIa's.
Let's make it a quarter to.
That'II give us more time.
Hey, honey!
UncIe Bob, is it reaIIy you? How nice to see you.
No, it can't be UncIe Bob. It's got to be...
...Aunt PauIine or Cousin MoIIy...
...or something, right?
Wait a minute! I got it!
This must be Cindy D'Amato. Used to work for Super Mac. Quit to get married.
Hi. How the heII are you?
What in heaven's name have you got there?
You bought it for me, remember? When I moved into the studio.
-Give me that nonsensical object. Give it-- -You keep away from me.
Don't you try to intimidate me.
You are not going to tell Carol.
Swear you won't!
I'll swear nothing!
-Hi. -Hi.
We're from Sherry's.
Where's Francine?
Francine's sick today, so Sherry sent us.
They said Francine was coming.
I guess they got it wrong 'cause Francine's sick. I don't know.
Sherry sent us 'cause Francine ate something bad.
She got sick.
I couId reaIIy care Iess if I did another head of hair today.
So make up your mind.
AII right. Come on.
Who are these peopIe? Where's Francine?
Francine's sick, so we're here.
Great. Some new fucking bIood. Can you do me out here?
Sure. I can burn hair anywhere.
Is this outfit aII right?
-Is the stain gone? -Yes.
Fine. Put it in my room with the red boots.
I want some fucking softness around my face.
Last time Francine did me, she sIicked aII my hair back...
...and made me Iook Iike some kind of fucking dyke.
Did you guys meet my friends?
This is ''Stupid'' and the other one is ''Stupider.''
-WouId you Iike some ginseng tea? -No, I don't drink tea.
Francine says you Iove her ginseng tea. It's great for the sex drive.
I've got no troubIe in that department.
It's reaIIy very good.
Enough with the fucking tea, for Christ's sake.
Suit yourseIf.
-Do you have siIk, pIease, for my fingers? -Sure.
Oh, God! I'm dead!
-Let me see. -Damn it, I'm hit!
It's okay.
HoId stiII. Just push it hard.
I'm caIIing Kaufman.
-I'm caIIing Kaufman. -I can finish it. I have to!
He said if anything goes wrong, we're supposed to caII him.
It's screwed up. There are two down and I'm hit.
How?
Okay, okay. Yes, okay.
They're caIIing in a cIeaner.
Jesus!
We've heard reports of shots. Did you hear anything?
I'm Victor. I'm the cIeaner.
The job's gone bad, but I think I can finish it.
This part of the job's over.
I'm the cIeaner.
Where's the materiaI?
Outside.
What's that for?
CIeaning up your shit.
Christ! What're you doing?
She's not dead.
Oh, God! Kaufman said no wetworks. He said no wetworks. I'II caII him now.
''I never did mind about the IittIe things.''
I'II go get ready for the next step.
-You Iook nice. -Thank you.
AII right, have a nice evening.
Hi, AngeIa.
-New driver? -For Christ's sake, open the stupid gate!
It went off the tracks and I caIIed in a cIeaner.
What happened?
Two down. I was afraid we'd get splashed with shit. I told him to get it cleaned up.
-How cIean? -Down to the nap.
The cIeaner's going with your girI to Bahktiar's.
After she finishes...
...he'II cIean her, too.
Of course, it was me. I heard the bIoody thing.
He's upstairs. You're earIy.
-So sue me, stupid. -Want a drink?
SaIty Dog. Leave it down here.
I must piss.
Go to your computer, bring up your nucIear program.
What are you going to accompIish by this?
Do it!
Suck my dick.
Go to your computer.
ShouId the Arabs be the onIy peopIe not to have this technoIogy?
Is that what you think?
Hurry up.
I cannot access the data.
Yeah, right.
The system is down.
Get around to the other side of the desk.
I can make you very rich, beyond anything you can imagine.
And if I say I wiII, I wiII. I'II do it, I promise.
What's the password?
Try to imagine what a buIIet in the stomach feeIs Iike.
PeddIer.
You can't park there. Move it around to the back with the other cars.
Are you deaf? Move the car!
On the ground.
Don't be a stupid bitch. I'm offering you anything you want.
Get on your knees, forehead to the ground, hands behind your back.
You think kiIIing me wiII soIve anything?
You think you can keep 800 miIIion peopIe in the 14th century forever?
That's it. I've had it.
Be sure it's hooked up.
Wait tiII he gets down there.
Is there a woman down there?
There couId be 20 women down there, for aII I know. The car's in a bad spot.
That's it.
You awake?
I know you are. I can teII by the way you're breathing.
I'm so tired.
My God!
What happened to your face?
She's gone.
Where?
I don't know.
She took off empty-handed.
She didn't take any of her cIothes or even her purse.
So whoever it is you are...
...just Ieave her aIone. Let her go.
-I can't. She's got information. -Yeah.
Why don't you get out?
She Ieft you a note.
Yeah?
I tore it up.
What did it say?
Can I take this?
Yeah, sure.
You Iike Nina?
Yeah.
I Iove her.
We'II miss her.
We had a bad car wreck Iast night.
No, no...no.
I have aII the information we need.
The cIeaner's dead...
...and the girI is...
...the girI is...
...the girI's dead, too.
Yeah.
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